Here at The Coolest Recording Space in London Town - we get a whole bunch of vocalisers - from full on rock gospel belters to sofly spoken folkists - & they all generally need one thing - attention to detail. There's not One go to mic for any session - but you can betcha life that the Shure SM7 is a good place to start for most sessions - to test the waters so to speak. It's got a good full range - and just sounds excellent - especially if you've got someone who doesn't have great recording technique - like your live singers etc. We always double it up with either a condenser or tube microphone to add either variety of tone or airiness - looks a bit like this. The sm7 is sung into from about 5-6 inches away - the tube or condenser mic is set further away to pick up more air. Another great trick is to set up either an omni condenser or ribbon microphone & face the side to the singer - this means the voice will hit the side of the mic body & e
south london recording studio London Recording Studio Life !! Here at The Coolest recording Studio in South London - we got the creation craving! We just Have to make new, interesting & exciting recording & mixing devices for our excellent clients . Our most recent research has led us to develop a set of microphones (Coppermics - made out of copper!) the formats of which do not appear to be readily available on the market. You can of course get mics spec built - but boy does this cost a ton of moolah & takes ages - so .... we put our heads together & came up with This beauty - the Coppermic King ! Microphone - The King - for vocals - guitar - drums Coppermic The King All three capsules are identical in tone & volume - the centre mic picks up the centre image of the audio you're recording, and the left & right capsules pick up the stereo information. You should always eq the centre mic with a slight (1-3 db) boost at the fundament
Here at the Coolest Recording Studio in London Town - we do like a big fat bootifull low end - as much as we like melodic mids & tingling highs - & while there are a gazillion mixing / production tricks to make the bass sit nice, pop out or groove summore - you always gotta start out with the basics - & get the badass tracked. First thing's first - get your bass player settled - doesn't matter if they're sitting or standing - they're gonna want to see the drummer - or at least the control room. Plug the bass into a DI ( Direct Injection ) box before any pedals or fx units they may be using - you want a good clean signal going to your recorder - you can use this as is to mix in with the mic'd up amp - you may want to process it with effects or software amp emulations - or indeed you may want to run it into a different amplifier and re record a different tone later down the line. Here's a pretty good quality di: You just plug into t
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