Recording Drums 7 - Ribbon Mics in the Room!
Recording Drums, Percussion - & Dealing with People Who Like to Hit Things 7.
Here at The Coolest Record Studio in London Town - we got a Big thing for Microphones & Texture.You can kinda manipulate any audio - guitars / keyboards / bass / tuned percussion etc to taste using eq & compression - but vocals - & especially drums - they need to be captured right at source.
So - you can use a mixture of microphone types - just as an artist would use different colours - to elaborate on your sonic vision.
Dynamics -
add serious colour - & also a tad of natural compression when pushed, they're also punchy, moreish & gorgeous. These mics will give you added tone.Condensers -
are in some way opposite - they are very clear - & are meant to faithfully reproduce what they are recording without adding anything of themselves tonally.Ribbon Mics -
..... are very natural sounding - & are excellent at reproducing the environment they are placed in.For drums - they are a nit of a necessity - even if you just use one as an ambient mic, above, behind or in front of the kit - what they bring to the party is nothing short of magic.
Vintage Tannoy Ribbon Microphones come in many shapes & forms - this is one of the best models:
The lower you place a ribbon mic to the floor the more kick mic you will pick up - the higher - more snare & cymbals - never place them too close to a plosive sound source as you'll break the ribbon (expensive!). This mic is "open" on both sides so is called a "figure 8" mic.
This is a Tannoy ribbon mic with a closed back - very good for noise rejection - it is directional.
closed back ribbon mic |
Bang & Olufsen Ribbon Microphone |
reslo ribbon mic pair stereo |
You can see the studio HERE .
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